Interviews

  • 0
  • 1
  • 2
  • 3
prev
next
News image

Interview - Alessandro Crimi (+mix)

Deep house and dub techno spread in Europe, and we can hear about more and more new talents, who have fantasy as producer or DJ, and always can show something n...

Read more
News image

Interview - Leigh Morgan (+mix)

Leigh Morgan's name has almost coalesced with house music. During more than 10 years of sustained and purposeful work, he was brought together with many great names. The real turning ...

Read more
News image

Interview - Ross Couch (+mix)

It is always a great pleasure for me to hear something fresh and original. So it was when some months ago I've noticed this guy from Glasgow, who's mixing funky- and soul-like sound in his own pro...

Read more
News image

Interview - K-Bana (+mix)

If  I say that K-Bana Feat. OB - 'True To You', a fan will know what it is. Cheer, easy days, peaceful life, party, friends, relaxing... etc... I could count many more characteristics of this song, but on...

Read more

Latest Mixes

Pete Tong & Superbass - Wonderland
Written by Musicforever    Tuesday, 11 September 2007 17:31    PDF Print E-mail
Reviews - Single Reviews
Pete TongWhile some shiny new digital labels are churning out dozens of mediocre releases, other more venerable imprints show no such desire or need to move for quantity over quality. Renaissance`s first 12-inch appeared in July 1997, and it`s taken a whole decade to reach its 50th platter.

 

Along the way we`ve seem some of the UK`s finest house music from Sasha, BT, Science Department, and Angel Moraes, while lately James Zabiela, and Nic Fanciulli have been flying the flag for the Nottingham stalwart. It may come as a surprise (or perhaps appropriate, depending on your point of view) that Pete Tong finds himself party to this landmark release.

 

Reforming his partership with Jay P and Dirty Vegas` Paul Harris, (as Superbass) the track takes its name from Tong`s Ministry residency, which in turn grabs its inspiration from his Iberian hangout, Pure Pacha. And surprisingly, it`s a a chugging, elongated deep track that has more to do with main room darkness than a celeb-strung VIP room. There`s a groove in the slowly morphing bassline, with light keys flickering over the top, and nice atmospheric pads. If there`s a criticism, it`s that, at almost ten minutes, its a touch long. But it`s worthy of the label, and with a tighter dub, it may even surprise a few.

 

 

 

Add comment


Security code


Refresh